Warning: Spoilers are ahead for the season eight of The Walking Dead. Keep reading at your own risk.
Whatâs the difference between a hero and a villain? It’s a question The Walking Dead has asked several times over, and depending on the season, the answer might very well be that there’s barely a difference at all.
âMonstersâ plays with this concept throughout, with several characters having moral crises–or not–about the value of human life. We see these ethical conflicts unfold in different ways across the three separate teams working to take down Negan. Rick, still emotionally thrown from realizing the man he killed in the last episode was just protecting his infant daughter, finds himself being held at gunpoint by season oneâs Morales. âI guess weâre not the same guys we used to be, âcause you’re a monster,â Morales tells him. Ezekiel and Carol take out various garrisons in the surrounding areas, but Ezekielâs carefully crafted confidence in leading the all-out slaughter starts to show signs of cracking. Elsewhere, on the way to the Hilltop, Jesus and Morgan clash over Jesusâ decision to take prisoners as Morganâs PTSD rears up again.
In many ways âMonsters,â plural, is an apt title for the episode, and perhaps for the series in general. The pathos of The Walking Dead has always worked because the show strove to explore dual and parallel concepts: what happens when a body reanimates without the soul, and what happens when a personâs soul, their humanity, starts to die within the body. The former creates a monster in a physical sense, while the latter creates an arguably more sinister and unpredictable creature–one that The Walking Dead has told us over and over again is the true monster to fear.
Itâs unsurprising that again weâre reminded of Rickâs own monstrous mental state in the episode, which can fluctuate wildly depending on the season. His stand-off with Morales involves a conversation about family, with Morales noting that somewhere between there and here, both of their souls died when their families did. Rick reaches out for points of connection, but it seems Morales believes thereâs no good left in Rick. And really, after witnessing Rick kill a man who was protecting his daughter, can you blame Morales?
Morales asserts that Rick and the Saviors are not so different, an idea that Rick is quick to deny. Rick sees his cause as just and right, you see. Between the two of them, he sees Morales as being the only one whoâs lost his way, a thought that Morales finds laughable. âLook at me?â He says to Rick. âLook at us, Rick. Look at us. We’re two assholes who will do whatever it takes to keep going.â
By the time Daryl comes in to save Rick, we see Rick questioning his own actions; it could be the first step towards his âmy mercy shall prevail over my wrathâ flash forward that we saw in the premiere. Finding Gracie the baby right before running into an old ally-turned-enemy seems to make Rick realize that the people heâs killing are actual human beings who heâs been treating thus far as one dimensional bogeymen. As he watches Daryl kill Saviors who have already surrendered, heâs also forced to acknowledge the parallels between Negan and himself. Back in season one, Rick once told Daryl âwe donât kill the living.â Although that idea went swiftly out the window by season two, up until the last season we saw Daryl often exhibit his own brand of mercy and honor. By the end of the episode, Rick looks at Daryl like he doesnât recognize him.
Itâs clear Rick begins to see how his own words and actions may have had a hand in poisoning those he claims to be protecting, maybe a ham-handed realization because really, Rick, you donât realize how influential you are? We see this play out not only with Daryl but with Morgan, whose mental break is clearly linked back to Rickâs speeches about hurting the Saviors before they can hurt us. âWeâre the same,â Morgan tells Jesus after Jesus tries to differentiate them from the Saviors. Even Ezekiel, who had to be convinced by Carol on Rickâs behalf to join the fight, looks disturbed by all the violence. Do Negan and many of his followers deserve to die for what they did to Glenn and Abraham? Yes, but you can see how the act of even carrying out that justice destroys them all inside.
âMonstersâ raises the question of what we mean by âthe good guys.â We know Negan is uppercase The Bad Guy because of his executions and extorting ways, but can we also say Rickâs group are wholly the good guys? Think about how Rick decided to settle his group in the prison and then in Alexandria and essentially took both over by force, with many of the people who originally lived there dying along the way. Think about all the people Rick and his company have killed in the name of their own survival. âMonstersâ tells us that every person in this apocalypse is their own breed of bad at this point, and itâs just a matter of who has more humanity left.
In light of all this, itâs unsurprising that it feels as if the show is heading towards a civil war, or a civil dispute, with these differing moralities finally coming to a head. We see Ezekiel is uncomfortable with the killings, and Jesusâ philosophy stands in direct opposition to Rickâs, Taraâs, and Darylâs. âNo matter what they’ve done, they’re still people,â Jesus tells Morgan. âWeâre gonna have to live with these people after.â We can expect Carl to also weigh in, and we know from the season eight premiere that heâs uncomfortable with Rickâs unwillingness to no longer see the good in people. Even Gregory, who has somehow survived all this time, implores Maggie to let him back into the Hilltop with, âWeâre all just human beings with faults and flaws. Is this who you are? Do you have no humanity, no mercy, no charity?â A self-serving line, to be sure, but one that can be asked of all the characters.
In the end, âMonstersâ provided some much-needed clarity on each of the groupâs locations and goals. The season still struggles with telling a totally coherent, linear story, but itâs undeniable that âMonstersâ is an improvement on the last two episodes. While Iâd like to see other characters get attention–Michonne and Maggie, in particular, have been rarely seen and are pretty one-note so far–I also feel strangely disconnected from characters like Ezekiel, whose exaggerated Shakespearean act even during wartime seriously threatens to snap my suspension of disbelief. While âMonstersâ started with some ridiculous fade-in, fade-out camera work, and while thereâs still the looming question of why Rick and company feel comfortable wasting all these bullets, the episode does succeed in proving a point: war makes monsters of us all.
How did you feel about the episode? Sound off in the comments!
Images: AMC
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