It’s always interesting to watch how an actor or actress navigates their career in Hollywood. Some just roll with the punches, taking most of the roles they’re offered. But then there are ones like Olga Kurylenko who take the time to be as selective as possible, making sure the role they’re about to step into is the right one. In our discussion with the French actress for her new film, The November Man, we get into that, as well as love of thrillers, and thoughts on the sequel.
Nerdist: This movie has a very â70s feel. Are you a fan of that genre, and if so, do you have any favorites?
Olga Kurylenko: I love a good thriller. I love thrillers. I think theyâre the most entertaining genres to watch. Well, comedies are pretty good, too. Everyone loves to laugh. So yeah, totally a fan.
N: Do you have any favorites?
OK: The Usual Suspects⦠there are so many.
N: Your career is interesting because youâre mixing in indie flicks with these high level blockbusters. You had Quantum Solace, you had Oblivion. But then youâve also got To the Wonder and Seven Psychopaths. Are you doing this on purpose or are you just getting all the cool scripts?
OK: On purpose. Iâm doing it on purpose and Iâm very selective. I am getting them obviously, because otherwise I wouldnât get the parts. So Iâm getting them, but Iâm not saying yes to everything, because Iâm basically making a selection so projects vary. So itâs not like a couple of same roles in a row. I try to juggle.
N: Are you looking for something specific when you get a script? What are the key things that youâre looking for?
OK: A role always has to touch me. Always something has to speak to me, something maybe that I relate to, even if itâs something tiny, or also something different, things that maybe I havenât played before. Of course the overall story; I have to like the story. I have to be passionate about the story.
N: What drew you to Alice?
OK: Sheâs so multifaceted. She has so many sides to her. She has a lot at stake. She was a very complex character. And the fact that she was⦠Iâm sure you know often women can be just a little part of the story because itâsâ¦
N: She is the story.
OK: [laughs] Yeah. Alice is such a crucial key. And she takes such a big part in this story. Sheâs very much present. She is a regular girl. Sheâs not an agent. Thatâs also what attracted me. I didnât have some super skills or super powers. It was just this regular girl and how this regular girl deals with such a scary situation that comes into her life. When the CIA is after her, killers are after her, what is she going to do? She doesnât know how to use a gun. Her choice of weapon is very weir
N: But she has this very dynamic twist about halfway through the movieâ¦
OK: Well, sheâs proactive. At some point she takes the initiativeâ¦
N: Right. When you got to that point in the script, were you like, âOK. Now Iâm inâ? Because thatâs the point I was in, too. I was like, âOh, OK. Weâre going to do this.â
O: Yeah, you didnât expect that, right?
N: Yeah. You didnât expect that. Weâre going this way with the character now. It was like, âOK.â Is that what really drew you to it, that twist where she becomes that extremely proactive person versus being more passive?
O: Of course, of course. First she starts as this scared girl. She goes, âWhy is this happening?â Sheâs freaked out. She doesnât want to be⦠everybody leave her alone. She tries to get away. But then, I think at some point she understands sheâs so involved in this now. Also, I think she discovers why sheâs involved. She doesnât know why sheâs involved in the beginning. With her discovery, we discover why sheâs involved. But it is a surprise to my character itself.
All that baggage, all that, that sheâs carrying, and the fact that I couldnât give it away also was interesting to me, because thereâs so much to play with.
N: The movie’s just coming out and already a sequel is in the works! Are you up for coming back for more?
O: Those guys were so amazing to work with. Roger and Pierce, just a joy. Just a joy to work with them. I would do any movies with them, even if itâs a different genre or whatever. Itâs very important who you are surrounded with, and certain people bring the best out of you. And it takes a certain person also to see what you can give, to see whatâs in you. Otherwise, itâs not only about what you can give. You can think you can give something, but if the others donât see it, you actually wonât give it. Itâs funny like that. itâs not only about what you can give. Itâs about, can others receive it? And those guys⦠Roger has such a good eye.
N: Theyâre experienced.
O: Yeah, exactly. Roger is a great thriller maker. When I watched the movie I was surprised how much he saw every detail in everything that went on. And he left it. He didnât cut [anything] out, like our expressions or something that weâve done. Also, of course, shooting close-ups on certain things, which gives it more of a dangerous look to the whole filmâthe blood, and the punches and things. He often gets straight in that with his camera. You know, a phone that falls down, something that drops. It gives you suspense. It gives you shivers. Heâs so good. He knows how to heat people up.
The November Man hits theaters August 27th.