Scott Weinberg
I write about fun things! (Mostly movies.)
Will Forte Shines as Doug Kenney in A FUTILE AND STUPID GESTURE (Review)
DAVE MADE A MAZE Is Like a DIY LABYRINTH for Adults (Review)
GOON: LAST OF THE ENFORCERS (review)
Movie Music Magic Casts a Spell in SCORE: A FILM MUSIC DOCUMENTARY (Review)
OKJA is a Masterful Blend of Sweet, Salty, and Satirical (Review)
IT COMES AT NIGHT (Review)
KEDI is Like a Feature-Length Cat Video—Only Better! (Review)
Evil Invades an Australian Neighborhood in HOUNDS OF LOVE (Review)
Grief Battles Faith in the Resoundingly Creepy A DARK SONG (Review)
Two Brothers (Unwisely) Revisit an Old Cult in THE ENDLESS (Tribeca FF Review)
FIVE CAME BACK Shines a Fascinating Light on Five Heroic Filmmakers (REVIEW)
Kidnapping Turns to Carnage in THE HOUSE ON WILLOW STREET (Review)
Genre Past and Present Collide Blissfully in Brilliant THE LOVE WITCH (Review)
MAYHEM Reveals the Gorier Side of Office Politics (SXSW Review)
Horror Import PREVENGE Marks the Arrival of One Bad Mother (Review)
Stake Land II is Another Slice of Post-Apocalyptic Vampire Horror (review)
Katee Sackhoff Takes on a British Witch in DON'T KNOCK TWICE (Review)
Sobering Facts Collide with Creepy Fiction in HBO's Beware the Slenderman (Review)
RESIDENT EVIL: THE FINAL CHAPTER Shuts the Franchise Down with a Bang (Review)
DEATH RACE 2050 is Old-School B-Movie Cheese at its Ripest (Review)
UNDERWORLD: BLOOD WARS (Review)
SPECTRAL Is Not Based on a Video Game, but It Sure Feels Like It (Review)
OUIJA: ORIGIN OF EVIL Is a Surprisingly Dynamic Horror Period Piece (Review)